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FIGHT-HOUSE NEWS
APPROPRIATE

APPROPRIATE

Written by Branden Jacobs-Jenkins / Directed by Lila Neugebauer / BELASCO

UNCLE VANYA

UNCLE VANYA

Written by Anton Chekhov / Translated by Heidi Schreck / Directed by Lila Neugebauer / LINCOLN CENTER

MERRILY WE ROLL ALONG

MERRILY WE ROLL ALONG

Music and Lyrics by Stephen Sondheim / Book by George Furth / Directed by Maria Friedman / HUDSON THEATRE

JORDANS

JORDANS

Written by Ife Olujobi / Directed by Whitney White / PUBLIC

AN AMERICAN SOLDIER

AN AMERICAN SOLDIER

Composed by Huang Ruo / Libretto by David Henry Hwang / Conducted by Carolyn Kuan / Directed by Chay Yew / PAC NYC

THE WELKIN

THE WELKIN

Written by Lucy Kirkwood / Directed by Sarah Benson / LINDA GROSS

THE HOURS ARE FEMININE

THE HOURS ARE FEMININE

Written and Directed by José Rivera / INTAR

GIRL FROM THE NORTH COUNTRY

GIRL FROM THE NORTH COUNTRY

Written and Directed by Conor McPherson / Music and Lyrics by Bob Dylan / North American Tour

MASTER CLASS FOR AMERICAN THEATRE WING

MASTER CLASS FOR AMERICAN THEATRE WING

CLICK HERE to Watch Dave Anzuelo and Sean Griffin teach a Master Class on Fight Direction

THREE-TIME NOMINATED

THREE-TIME NOMINATED

UNKLEDAVE'S FIGHT HOUSE IS A THREE-TIME DRAMA DESK NOMINATED COMPANY OF FIGHT AND INTIMACY DIRECTORS

RETRIBUTION'S CHILD

RETRIBUTION'S CHILD

Written and Directed by Cary Patrick Martin / Fights by David Anzuelo / Starring Fight-House member Rocío Mendez

The three-time Drama Desk nominated UnkleDave’s Fight-House was founded by David Anzuelo. His high quality of fight direction led him to work for some of the best theater and indie-film makers. Combining his training as an actor, director, and martial artist, Anzuelo brings a unique approach to both fight direction and intimacy on stage. His core team consists of Sean Fletcher Griffin, Rocío Mendez, Amaal Saifudeen. Together, they form a collective of fight/intimacy directors concerned with the integrity of the story and how the violence fits into the piece as a whole. Anzuelo and his Fight-House bring an inclusive perspective to work and don’t shy away from the hard hitting truth of stage violence. 

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